Bryce Erickson’s process of deconstructing memory and reconstructing image likens to tipping a balance from disorder to order. He works to extract metrical constants from the visual phenomena that give impulse to an image. He builds compositions on structures of lines, armatures, arcs and inscribed geometric forms that relate directly and demonstrably to each other and to the particular dimensions and shape of the painting surface. Thus, form and content function as necessary components of each other; entropy, uncertainty yield to order.

Bryce Erickson paints, draws and editions prints in Saskatoon, Canada.